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"Depending on your inclination-and, most likely, on your age-the
ascendancy of the comic book could seem like confirmation of
the decline of Western culture, or along-overdue liberation
of creative expression. In either case, the days of not taking
comics seriously are long behind us. Which is not to say that
this form, as a whole, takes itself too seriously. Izumi, who
has worked in the medium for about a decade, has the knack for
making comics seem both fun arid relevant. His imagery- thickly
lined, cross-hatched, and high contrast-never fails to be arresting
and his thematic content is epigrammatic, politically potent,
sometimes surreal, and always evocative, these attributes have
allowed him to stake out a broad milieu the work that the museum
describes as 'on varying themes ranging from memories to suburbia
to life in the nuclear age.'
His latest effort, a letterpress accordion-style book called
Three Grey Women, retells the myth of Perseus and Medusa, and
makes an eloquent comment on the artist's way of seeing the
world. Izumi's career may epitomize this point of view: The
self-puhlished comics artist, free from any restricting patronage
of the old, stuffy sort, can speak in a personal and vernacular
voice. And if they're persistent enough, they might earn their
ideal audience, organically and artfully." -Jonathan Kiefer,
THE MONTHLY March 2005
<-- Back to Artist's Card
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